{"id":5,"date":"2017-08-18T15:24:03","date_gmt":"2017-08-18T15:24:03","guid":{"rendered":"http:\/\/wp12431554.server-he.de\/sybille-loew\/?page_id=5"},"modified":"2024-11-14T20:58:42","modified_gmt":"2024-11-14T20:58:42","slug":"start","status":"publish","type":"page","link":"http:\/\/sybille-loew.de\/","title":{"rendered":"Ausstellungen"},"content":{"rendered":"<p style=\"text-align: right;\"><em>Das Sticken gilt inzwischen als altert\u00fcmliches Handwerk <\/em><em>und ist ein m\u00fchevolles Tun. <\/em><em>Es braucht Zeit, macht aber Zeit auch sichtbar.\u00a0 <\/em><em>So ist es f\u00fcr mich einerseits Medium der W\u00fcrdigung;\u00a0 Kraft seiner provokativen M\u00f6glichkeiten ist es andererseits auch Mittel der kritischen Auseinandersetzung mit gesellschaftlichen Themen.<\/em><strong><em><br \/>\n<\/em><\/strong><\/p>\n<h1><\/h1>\n<p>2024 \u00a0 <em>&#8222;K\u00f6rper mit Au\u00dfenw\u00f6rtern&#8220;<\/em>, SAID-Symposion Lyrik-Kabinett, M\u00fcnchen<\/p>\n<p>2024 \u00a0 <em>Kunst trotz(t) Ausgrenzung, <\/em>Kulturhof Flachsgasse, Speyer<\/p>\n<p>2023\u00a0\u00a0 <em>Sterblich sein, <\/em>Dom Museum Wien, Wien bis August 2024<\/p>\n<p>2023 \u00a0<em> \u00c4ussere und innere Landschaft,\u00a0<\/em>Kulturhof Lechvorstadt<\/p>\n<p>2023 \u00a0<em> Kunst trotz(t) Ausgrenzung<\/em>, Nordfriesland Museum\/Schloss vor Husum<strong>\u00a0<\/strong><\/p>\n<p>2023\u00a0\u00a0 <em>Vergessen &#8211; Zapomneni`, <\/em>Schloss Klenova&#8216;,\u00a0 Galerie Klatovy, Tschechien<\/p>\n<p>2023 \u00a0 <em>Kunst trotz(t) Ausgrenzung<\/em>, Societ\u00e4t Rostock Maritim e.V., Rostock<\/p>\n<p>2022\u00a0\u00a0<em> Zapomneni`- Vergessen, <\/em> St\u00e4dtische Galerie Lehrte\/Hannover<\/p>\n<p>2022\u00a0\u00a0 <em>Kunst trotz(t) Ausgrenzung<\/em>, Rathaus, Opelvillen u.a. R\u00fcsselsheim<\/p>\n<p>2022 \u00a0<em> Kunst trotz(t) Ausgrenzung, <\/em>Diakonie Michaelshoven, K\u00f6ln<\/p>\n<p><em>2022\u00a0\u00a0 <\/em><em>Kunst trotz(t) Ausgrenzung, <\/em>Museum Keckenhof, Schw\u00e4bisch Hall<strong><em><br \/>\n<\/em><\/strong><\/p>\n<p>2022\u00a0\u00a0 <em>Kunst trotz(t) Ausgrenzung<\/em>, Kunsthalle Recklinghausen<\/p>\n<p>2022\u00a0\u00a0 <em>Vergessen &#8211; Zapomneni`<\/em>, \u00d6sterreichisches Kulturforum, Prag<\/p>\n<p>2021\u00a0\u00a0 <em>Vergessen &#8211; Zapomneni`<\/em>, Factory im K\u00fcnstlerhaus, Wien<\/p>\n<p>2020\u00a0<em>\u00a0 Kunst trotz(t) Ausgrenzung,<\/em> Reutlingen<\/p>\n<p>2019\u00a0 \u00a0<em>Kunst trotz(t) Ausgrenzung<\/em>\u00a0\u00a0 &#8211; KZ Gedenkst\u00e4tte Osthofen<\/p>\n<p>2019\u00a0\u00a0 <em>Wanderausstellung\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 &#8211; Marktkirche, Hannover<\/p>\n<p>2019\u00a0\u00a0 <em>Diakonie Deutschland e.V. \u00a0\u00a0<\/em> &#8211; Kunstquartier Bethanien, Berlin<\/p>\n<p>2019\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0 &#8211; Haus der Wirtschaft, Stuttgart<\/p>\n<p>2019 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0 &#8211; Wirkhalle, Chemnitz<\/p>\n<p>2018\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0 \u00a0\u00a0 &#8211; St. Andreas, Braunschweig<\/p>\n<p>2018\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 &#8211; Documenta Halle, Kassel<\/p>\n<p>2017\u00a0\u00a0 <em>Sprache der Bilder und Bilder der Sprache\u00a0<\/em> -DomMuseum &#8211; Stephansdom, Wien<\/p>\n<p>2016\u00a0\u00a0 <em>Subversives Stickwerk<\/em> &#8211; Galerie Lillimors, M\u00fcnchen<\/p>\n<p>2015\u00a0\u00a0 <em>Ich bin da.<\/em> &#8211; ehm. Kloster St. Klara, Regensburg<\/p>\n<p>2014\u00a0\u00a0 <em>Subversives Blattwerk<\/em> &#8211;\u00a0 Stadtgalerie\/Stadtmuseum, Deggendorf<\/p>\n<p>2013\u00a0 <em>stille Angst &#8211; leise Hoffnung<\/em> &#8211; \u00a0Stadtgalerie\/Stadtmuseum, Deggendorf<\/p>\n<p>2013\u00a0 <em>Ave Maria<\/em> \u2013 Persepektivenwechel &#8211; Di\u00f6zesanmuseum, Bamberg<\/p>\n<p>2012\u00a0<em> jetzt &#8211; der Zeit entfallen<\/em> &#8211;\u00a0 Kirche St. Lukas, M\u00fcnchen (EA)<\/p>\n<p>2012\u00a0<em> empfangen &#8211; ave maria<\/em> &#8211;\u00a0 Kunstverein Mei\u00dfen, Mei\u00dfen<\/p>\n<p>2011\u00a0 <em>Maria Verk\u00fcndigung<\/em> &#8211; \u00a0Museum f\u00fcr Alltagskultur, Peine<\/p>\n<p>2011\u00a0 <em>jetzt &#8211; der Zeit entfallen<\/em> &#8211;\u00a0 Herz-Jesu-Kirche, Erlangen (EA)<\/p>\n<p>2011\u00a0<em> Nadelstiche &#8211; <\/em>Di\u00f6zesanhaus, Freising (EA)<\/p>\n<p>2011\u00a0<em> stiller Abtrag &#8211;\u00a0<\/em> Friedhofskapelle, Pfronten (EA)<\/p>\n<p>2011\u00a0 <em>leise Angst &#8211; stille Hoffnung<\/em> &#8211;\u00a0 Di\u00f6zesanmuseum, Augsburg<\/p>\n<p>2010\u00a0 <em>Altartuch &#8211; <\/em>\u00d6kumenischer Kirchentag &#8211; EHG, M\u00fcnchen<\/p>\n<p>2010\u00a0<em> stiller Abtrag<\/em> &#8211;\u00a0 soul-side-linden, Hannover (EA)<\/p>\n<p>2009\u00a0 <em>Kundendienst<\/em> &#8211;\u00a0 Aubinger Ateliertage, M\u00fcnchen<\/p>\n<p>2009\u00a0 <em>stiller Abtrag<\/em> &#8211;\u00a0 St. Elisabeth, Bamberg (EA)<\/p>\n<p>2008\u00a0 <em>In Richtung Paradies <\/em>&#8211;\u00a0 Di\u00f6zesanmuseum, Regensburg<\/p>\n<p>2008\u00a0 <em>Le fil de femmes a femmes<\/em> &#8211;\u00a0 Musee\u00b4textile, Paris<\/p>\n<p>2008\u00a0<em> jetzt &#8211; der Zeit entfallen &#8211; <\/em>ehemalige Karmeliterkiche, M\u00fcnchen (EA)<\/p>\n<p>2007\u00a0 <em>Bilder, Briefe, Noten LXI<\/em> &#8211; Autoren Galerie 1, M\u00fcnchen<\/p>\n<p>2007\u00a0 <em>zum Sterben sch\u00f6n<\/em> &#8211; \u00a0White Box, Kunstpark Ost, M\u00fcnchen<\/p>\n<p>2007\u00a0 <em>stiller Abtrag<\/em> &#8211;\u00a0 St. Ludwig\/Guardinikapelle, M\u00fcnchen (EA)<\/p>\n<p>2006\u00a0 <em>gepaartes &#8211;\u00a0 <\/em>Kunst im Karree`, M\u00fcnchen<\/p>\n<p>2004\u00a0 <em>Einwanderung <\/em>&#8211; Galerie Kunstraum Sutter-Kress, Erlangen (EA)<\/p>\n<p>2004\u00a0 <em>Transite<\/em> &#8211; Kongresshalle, Osnabr\u00fcck (EA)<\/p>\n<p>2004\u00a0 <em>roter faden<\/em> &#8211;\u00a0 Kunstverein, Ebersberg<\/p>\n<p>2003\u00a0 <em>buchst\u00e4blich<\/em> &#8211; \u00a0Kunstverein, Planegg<\/p>\n<p>2003\u00a0 <em>M\u00fc\u00dfiggang<\/em> &#8211; \u00a0Kunstverein, Ottobrunn (EA)<\/p>\n<p>2003\u00a0<em> 18&#215;24<\/em> &#8211;\u00a0 Kunstraum Sterngasse, N\u00fcrnberg<\/p>\n<p>2001\u00a0 <em>Ankauf<\/em> &#8211; EON-Energie, M\u00fcnchen<\/p>\n<p>1999\u00a0 <em>Zimmer mit Absicht<\/em> &#8211; \u00a0Kulturmeile Goethestra\u00dfe, M\u00fcnchen<\/p>\n<p>1996\u00a0 <em>Positionen<\/em> &#8211; Elisenhof, M\u00fcnchen<\/p>\n<p>1995\u00a0 <em>Dialoge \u2013 Performances<\/em> &#8211; \u00a0Kontextwerkstatt, M\u00fcnchen<\/p>\n<p>1993\u00a0 <em>wir packen aus<\/em> &#8211; \u00a0Technische Universit\u00e4t, M\u00fcnchen<\/p>\n<p><strong><em>Sybille Loew &#8211;\u00a0 lebt und arbeitet in M\u00fcnchen &#8211; Studium der kath. Theologie<\/em><\/strong><\/p>\n<p><em>Seit 1980 t\u00e4tig im Bereich Malerei und Objektkunst<\/em><\/p>\n<p>Kontakt: sybillinisch@web.de<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Das Sticken gilt inzwischen als altert\u00fcmliches Handwerk und ist ein m\u00fchevolles Tun. Es braucht Zeit, macht aber Zeit auch sichtbar.\u00a0 So ist es f\u00fcr mich einerseits Medium der W\u00fcrdigung;\u00a0 Kraft seiner provokativen M\u00f6glichkeiten ist es andererseits auch Mittel der kritischen Auseinandersetzung mit gesellschaftlichen Themen. 2024 \u00a0 &#8222;K\u00f6rper mit Au\u00dfenw\u00f6rtern&#8220;, SAID-Symposion Lyrik-Kabinett, M\u00fcnchen 2024 \u00a0 Kunst &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/sybille-loew.de\/\" class=\"more-link\"><span class=\"screen-reader-text\">&#8222;Ausstellungen&#8220;<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":6,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/sybille-loew.de\/index.php?rest_route=\/wp\/v2\/pages\/5"}],"collection":[{"href":"http:\/\/sybille-loew.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/sybille-loew.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/sybille-loew.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/sybille-loew.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5"}],"version-history":[{"count":42,"href":"http:\/\/sybille-loew.de\/index.php?rest_route=\/wp\/v2\/pages\/5\/revisions"}],"predecessor-version":[{"id":548,"href":"http:\/\/sybille-loew.de\/index.php?rest_route=\/wp\/v2\/pages\/5\/revisions\/548"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sybille-loew.de\/index.php?rest_route=\/wp\/v2\/media\/6"}],"wp:attachment":[{"href":"http:\/\/sybille-loew.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}